THE LINE THROUGH BRUNSWICK
MELBOURNE, 2023-6
Trespass
Congruity
23
Façade
Perspective
Spotlight
Portal
Vigil
Pinchpoint
Blue
Background
Solidarity
Layers
Grounded
Halo
Witness
Glimpse
Always
The Line Through Brunswick is a documentary project revolving around the Upfield train line. Conceived in response to the announcement of the absorption of Brunswick’s 3.5km of rail line into the existing northern Sky Rail project, the photographer began collaborating with local writer Kevin Brophy, the pair aiming to capture for the future, in words and photographs, the long-made, make-do spirit of this narrow, densely populated urban corridor.
Supported by the Merri-bek City Council and the Brunswick Community History Group, the collaborators walked and cycled the train line’s neighbouring bike path over multiple seasons, and at both ends of the day. In addition to recording surfaces, crossing gates, trees and orchards, huts, signals, graffiti and other oddities, Nicholas and Kevin spoke with dozens of people along the line; these expeditions ultimately leading the pair all the way to the Upfield terminus.
Across the three years of the expanding project, the collaborators came to see how the line plaits along its length the lives of artists, gardeners, orchardists, arborists, parkland protectors, bicycle mechanics, bar and cafe owners, walkers, commuters and cyclists - everywhere showing the marks of its history. More than a commuter rail and bicycle route, simultaneously dividing and linking the suburb, the line through Brunswick is fizzy and organic, concentrating the creativity of people, at home, at work, in transit, and at leisure. Their efforts culminated in an exhibition at the Brunswick Neighbourhood House, this committing to memory a living portrait of the line and its community.
Walking The Line with Kevin Brophy. Photo by Mark Phillips
THE WEST
MELBOURNE, 2025-6
The West is a photographic series commissioned for the residents of an aged care home in Footscray.
Beginning with the idea of capturing recognisable landscapes and landmarks, the assignment developed into a contemplative exploration of place and belonging. In his aim to evoke memories in residents (people who’ve often lived in and around these places for years), the photographer ultimately captured quiet and considered moments that offer a sense of familiarity and rootedness.
Extending beyond capture, the assignment also included the production of mounted, archival prints. These now hanging on the walls of the aged care home. At beginning of 2026, a second part of the commission was initiated, this leading to photographs with a more specific focus on the urban landscape of Footscray. While these photographs are currently in production, the previous set continue to offer the aged care staff and residents the ability to visually return to the places that shape their everyday experience and personal histories.
looking at the photos with residents Bruce Webster, Hugo Cuchilla and Harold Leigh Kear. Photo by Damjan Janevski
NT LIVED EXPERIENCE NETWORK
DARWIN, 2022
Leah Joy Chongwee
Charles Nasir
Kelli Sobieralski
Salamanda Endemann
Rocket Bretherton
Lauren Keys
Noelene Armstrong
Jeremy Downes
Chris Kuhl
Throughout the dry season of 2022, photographer Nicholas Walton-Healey worked and collaborated with Noelene Armstrong, a foundational member of The NT Lived Experience Network. Their efforts led to The Stories of Recovery and Healing Project, this involving the photographer interviewing and photographing several Darwin-based network members for the purpose of making their personal stories of recovery and healing visible. The Network developed an artwork from the project material, this receiving The Judges Award at the 26th Annual Human Rights Art Awards & Exhibition in Darwin.
With foundational Network member, Noelene Armstrong.
ANAT SPECTRALIVE
MELBOURNE, 2022
ANAT Board Member Megan Kelleher
Welcome to Country
Ear On Arm (Stelarc)
Wurundjeri Elder Perry Wandin
ANAT SPECTRA Volunteers
Body Crisis demonstration - Cody Lavery
In April 2022, the photographer was commissioned by ANAT (Australian Network for Art and Technology) to undertake a series of assignments revolving around the SPECTRA Live event in Melbourne. Beginning with a Welcome To Country and smoking ceremony by Wurundjeri Elder Perry Wandin, this three-day event extended to include a curated series of seminars, workshops, and live performances, held at Science Gallery Melbourne. In addition to event documentation, the commission also encompassed collaborative forms of portraiture, these being undertaken with ANAT board member Megan Kelleher, and legendary performance artist Stelarc.
With ANAT CEO Melissa DeLaney.
STAR HEALTH
MELBOURNE, 2021
June Sorbi
Paul Corrigan
Ian McBryde
June Sorbi
Vassiliki Tsiampas
Paulo Reid
Victor Morgan
Kim Rowe
Judith Liddell
The onset of the COVID-19 pandemic led the (High-Risk Accomodation Response) Community Engagement Manager of Star Health to conceive The Positive Stories Project. Intended to heighten community health and awareness during the pandemic, this project involved photographing and interviewing over a dozen residents and outreach professionals in the South Melbourne area. A unique and personalised portrait session occurred in a location chosen by each participant, and extended to include the solicitation of a narrative regarding their decision to receive a COVID-19 vaccination.
These materials were then combined through the production of billboard posters, which circulated throughout inner-Melbourne areas. The posters also incorporated a QR code, directing interested onlookers to a website containing the entire narratives, and an extended selection of photographs. While facilitating Star Health messaging about COVID-19 Community Safety, this assignment also aligned with the photographer’s broader interest in facilitating the expression of local voices.
In front of the billboard portrait photos. Photo by Ian McBryde
MISSION TO SEAFARERS
MELBOURNE, 2019
The Mission To Seafarers
Norla Dome
The Mission Chapel
The Flying Angel Clubroom
Seafarers
Docked Ships
Encountering People, Places and Things was a photography exhibition resulting from a collaboration between the photographer and Professor Uma Kothari (The University of Manchester). This collaboration revolved around Melbourne’s Mission To Seafarers, and the ethnographic research journey that transpired through Uma’s fellowship with The University of Melbourne. From the photographer’s perspective, this collaboration involved photographing this journey, as it unfolded throughout The Mission, and associated areas, particularly the Melbourne Docks. It extended to a curatorial process involving the digitalisation of analogue photographs held in The Mission’s archive, and the ultimate presentation of these alongside the contemporary photographic narrative.
Encountering People, Places and Things exhibited at The Mission’s Norla Dome from June 21-July 5, 2019.